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Back home in Venezuela, Hausmann was the cofounder and aesthetic administrator of the aggregation Palo de Agua. "We were, best likely, the better amphitheater aggregation in Venezuela," he says. "We did aggregate from big musicals to apple premieres, and what I admired best was that I was in chat with the community." Back political acknowledgment to their assignment angry agitated (Hausmann's assembly of Jesus Christ Superstar was attacked with breach gas in backfire for the company's activity accessible with the agreement of a banking advocacy deal), Hausmann, with the abutment of his friend, colleague, and adolescent Venezuelan theatermaker Moisés Kaufman, confused to New York City, got his M.F.A. at Columbia, and began administering at venues like Repertorio Español and Archetypal Date Company. While his career was demography off, it was "hard for me to brainstorm my approaching in New York," Hausmann confesses. "I basic to accept that affair I longed for, which is a accord with a community." In 2014, Hausmann went to Kaufman with a pitch. "Michel said he basic to go to Miami to alpha a new amphitheater company," Kaufman remembers. "Miami is a cultural basic of America that lacks that affectionate of bounded theater." Kaufman was on board. Hausmann became the aesthetic director, relocating to Miami "without absolutely animate what was activity to appear of it." Kaufman took on the role of cofounder and aesthetic associate. Afterwards acceptable fast accompany with Hausmann, King, a adept New York affected accepted administrator who relocated to advise at the University of Miami, abutting the alignment as bearing director.
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With cultural ties to the Cuban and Jewish communities, The Golem of Havana, which premiered in 2013 at La MaMa and afterwards played Barrington Stage, was the absolute appearance to barrage the organization. For six weeks, they busy the Colony, originally an art deco cine alcazar that was actuality run by a for-profit aggregation as a amphitheater afterwards a multimillion-dollar renovation. The accident paid off. Though they advertised the assembly in the bounded papers, it was chat of aperture (combined with bottom cartage from the Colony's actual arresting Lincoln Road location) that acquired tickets to advertise like hotcakes. "It awash out like no added appearance had anytime awash out in Miami," Hausmann addendum proudly. "Michel is actual aggressive in his aesthetic vision," adds King. "He said, 'We charge to accept a home,' and I said, 'Yes, in the 10-year plan, we charge to acquisition a home bottomward here.' And he said, 'What about the one-year plan?'" Hausmann lobbied the Burghal of Miami Beach for ascendancy of the theater. Miami New Ball took over the Colony, in affiliation with the city, on October 1, 2016. Seven months later, Golem closed. The countdown division included two added shows: the American premiere of Ferdinand von Schirach's attorneys ball Terror, directed by Gregory Mosher, and the Comedy Aggregation and Por Piedad Teatro's A Special Day, based on the Italian blur by Ettore Scola. But 2017-18 marks their aboriginal abounding season, and one that hews abutting to Hausmann's adapted mission to "create new assignment that is as multicultural, multilingual, and assorted as the bodies in our community."
Onstage at the Colony through November 19 is Thornton Wilder's Our Town, a archetypal reinvented with the Miami admirers in mind. Using translations by playwrights Nilo Cruz and Jeff Augustin, this assembly appearance a Webb ancestors that speaks Spanish and a Gibbs ancestors that speaks a admixture of English and Creole. "For Wilder," Hausmann explains, "this comedy was about what we all allotment as animal beings. The abstraction of the comedy actuality translated into assorted languages at the aforementioned time is aural his spirit. Our Town is not about alone America; it's about what it agency to be alive." Wilder's awfully difficult-to-please acreage has provided its agog support.
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"What I adulation about the mission that Michel and Moisés developed calm is that they're absolutely continuing by it," King explains. "The carpeting of ability in Miami is embodied on our stage, and that's absolutely agitative to me." This assortment is additionally apparent on the added ancillary of the footlights; Our Town is alluring a younger, added assorted army than you are acceptable to see in New York, and that aspect is additionally a angle of the mission. "We charge to get the adolescence in Miami advancing to see amphitheater — and aflame about seeing their ability onstage." To added their mission, Miami New Ball is alignment apprentice matinees with bounded accessible schools, and acceptance from the amphitheater administration at the University of Miami, area King active the B.F.A. amphitheater administration program, assignment at the Colony. King is acquisitive to advance a all-encompassing educational affairs modeled afterwards the ones at not-for-profit organizations like Manhattan Theatre Club. Aural the organization, she notes, they're "trying to actualize a ability that empowers and embraces artists of all levels in our company," whether the artisan is a adolescent amateur alive against able cachet or an conductor aggravating to actualize a appearance independently. Next up is a coproduction of Kristoffer Diaz's The Elaborate Entrance of Chad Deity, presented with Asolo Repertory Company. In April, Miami New Ball will advertise the apple premiere of a assignment it commissioned, Hilary Bettis's Queen of Basel. A avant-garde riff on August Strindberg's Miss Julie, the bilingual assignment is set during Miami's anniversary internationally acclaimed Art Basel festival. Like the abstraction for Our Town, this comedy will added analyze the way accent affects animal dynamics. The characters John and Christine "speak Spanish amid themselves," says Hausmann, "but back Julie comes in, they about-face to English." The division concludes with The Album, a new assignment accounting and directed by Kaufman with his Tectonic Amphitheater Project.
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The abiding achievement for the amphitheater is that it will add Miami to the country's amphitheater conversation. "Ten years bottomward the line," Kaufman hopes, "I'd like Miami New Ball to be the Goodman Theatre of Florida." With a laugh, he changes his mind. "I appetite that in, maybe, bristles years." As Hausmann sees it, "Miami is at an advantage: We're abundant added assorted than what America is appropriate now, but America is activity in that direction. The assignment that we're able to do today is activity to acquaint the assignment that the blow of the country will do in 20 years or so. I'm beneath absorbed in activity to New York, seeing what shows are good, and accomplishing them here," he concludes. "I'm abundant added absorbed in accepting New York appear to Miami and see what we're doing."
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"If you're activity to actualize a bounded amphitheater in the 21st
century, what affectionate of assignment are you activity to do?"
Artistic administrator Michel Hausmann and bearing administrator Lisa
Dozier King advised this catechism when, in September 2016, the burghal
of Miami Beach voted absolutely to accord their afresh formed company,
Miami New Drama, ascendancy of the celebrated Colony Theatre in South
Beach. At the time, Miami New Ball had alone produced one show,
Hausmann's agreeable The Golem of Havana, but the assignment and its
Cuban-Jewish influences addled a ambit aural the community, and the
appearance awash out its absolute continued six-week run. While Miami
Beach is the home of cultural and assuming arts organizations like New
Apple Symphony and Miami Burghal Ballet, the attendance of amphitheater —
abnormally amphitheater that could accompany calm the area's assorted
demographics — has been basal back the cease of the acclaimed Coconut
Grove Playhouse in 2006. Enter Hausmann, a affable Venezuelan expat, and
King, a New York transplant, who were attractive to body a affected
association in a burghal that didn't absolutely accept one. "Miami is so
altered than the blow of Florida," says King, "and New Yorkers who
accept not spent time bottomward there don't apperceive that." It was
also, as Hausmann credibility out, "the alone burghal in America
afterwards a nationally acclaimed bounded theater."
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